Where Swing is King!
“Jack the Bear” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on March 6, 1940 in Chicago. Duke Ellington, piano, directing: Wallace Jones, first trumpet; Cootie Williams, trumpet; [..]
“South Rampart Street Parade” Composed by Ray Bauduc and Bob Haggart; arranged by Bob Haggart. Recorded by Bob Crosby and His Orchestra for Decca on November 16, 1937 in Los Angeles. Bob Haggart, bass, directing: [..]
“Flamingo” Composed by Ted Grouya (music) and Edmund Anderson (lyric); arranged by Billy Strayhorn. Recorded by Duke Ellington and His Orchestra for Victor on December 28, 1940 in Chicago. Duke Ellington, piano, and Billy Strayhorn, [..]
“Dancing in the Dark” Composed by Arthur Schwartz; arranged by Lennie Hayton. Recorded by Artie Shaw and His Orchestra for Victor on January 21, 1941 in Hollywood. Artie Shaw, clarinet, directing: Billy Butterfield, first trumpet [..]
“Don’t Get Around Much Anymore”* (First known as “Never No Lament”) Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on May 4, 1940 in Hollywood. Duke Ellington, piano, [..]
“You Go to My Head” Music composed by J. Fred Coots; probably arranged by Earle Hagen or Herbert Spencer. The story: The ultimate sideman in the Hollywood recording, movie and television studios through the 1950s [..]
“Down South Camp Meeting” Composed and arranged by Fletcher Henderson. Recorded by Fletcher Henderson and His Orchestra for Decca on September 11, 1934. Fletcher Henderson directing: Russell “Pops” Smith, first trumpet; Irving “Mouse” Randolph and [..]
“Walkin’ and Swingin’” Composed and arranged by Mary Lou Williams. Recorded by Andy Kirk and His Twelve Clouds of Joy for Decca on March 2, 1936 in New York. Andy Kirk, directing: Harry “Big Jim” [..]
“S’Posin’” Composed by Paul Denniker; head arrangement by Artie Shaw Gramercy Five. Privately recorded by Artie Shaw Gramercy Five in June of 1954 in Hollywood. Artie Shaw, clarinet, directing: Hank Jones, piano; Joe Puma, guitar; [..]
“What Am I Here For?” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on February 26,1942 in New York. Duke Ellington, piano, directing: Wallace Jones, first trumpet; Ray [..]
“Blood Count” Composed and arranged by Billy Strayhorn. Recorded by Duke Ellington and His Orchestra for RCA Victor on August 28, 1967 in New York. Duke Ellington, piano, directing: Herbie Jones, William “Cat” Anderson, Mercer [..]
“Night and Day” Composed by Cole Porter; informal head arrangement by Charlie Barnet and his band. Recorded by Charlie Barnet and His Orchestra for RCA Bluebird on September 17,1940 in New York. Charlie Barnet, tenor [..]
“Blues” from Lenox Avenue Composed and arranged by William Grant Still. Recorded by Artie Shaw and His Orchestra for Victor on December 4, 1940 in Hollywood. Artie Shaw, clarinet, directing: Billy Butterfield, George “Jumbo” Wendt and [..]
“Sometimes I’m Happy” Composed by Vincent Youmans; arranged by Fletcher Henderson. Recorded by Benny Goodman and His Orchestra for Victor in New York on July 1, 1935. Benny Goodman, clarinet, directing: Bunny Berigan, first and [..]
“Rose Room” Composed by Art Hickman; arranged by Artie Shaw. Recorded by Artie Shaw and His Orchestra for Bluebird on January 31, 1939 in New York. Artie Shaw, clarinet, directing: John Best, first trumpet; Chuck [..]
“Cheek to Cheek” Composed by Irving Berlin; arranged by Bill Finegan. Recorded by Tommy Dorsey and His Orchestra for Decca on August 14, 1953 in Hollywood, California. Tommy Dorsey, first trombone, directing: Paul Cohen, first [..]
“The Lonesome Road” Composed by Gene Austin (words) and Nat Shilkret (music); arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Vocalion(*) on January 31, 1939 in New York. Jimmie Lunceford, directing: [..]
“Breakfast Feud” Composed by Benny Goodman; head arrangement worked out by Benny Goodman and the members of his Sextet. Recorded by Benny Goodman and His Sextet(*) for Columbia on January 15, 1941(**) in New [..]
“Yesterdays” Composed by Jerome Kern; arranged by Jerry Gray. Recorded by Artie Shaw and His Orchestra for RCA/Bluebird on September 27, 1938 in New York. Artie Shaw, clarinet, directing: John Best, first trumpet; Chuck Peterson [..]
“Concerto for Cootie” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on March 15,1940 in Chicago. Duke Ellington, piano, directing: Wallace Jones, first trumpet; Rex Stewart, cornet; Cootie [..]
“I Surrender, Dear” Music by Harry Barris; arrangement by Jerry Gray and Artie Shaw. Recorded on August 27, 1939 by Artie Shaw and his Orchestra for RCA/Bluebird in New York. Artie Shaw, clarinet, directing: Bernie [..]
“Well, Git It” Composed and arranged by Sy Oliver. Recorded by Tommy Dorsey and His Orchestra for Victor on March 9, 1942 in Hollywood, California. Tommy Dorsey, trombone, directing: Ziggy Elman, Chuck Peterson, Jimmy Blake, [..]
“Arab Dance” Composed by Pyotr Ilych Tchaikovsky; arranged by Gil Evans. Recorded by Claude Thornhill and His Orchestra for Columbia on July 17, 1946 in New York. Claude Thornhill, piano, directing: Louis Mucci, first trumpet; [..]
“Something to Live For” Composed and arranged by Billy Strayhorn. Recorded by Ella Fitzgerald with Duke Ellington and His Orchestra on December 20, 1965 in Hollywood, California. Ella Fitzgerald, vocal; with Duke Ellington, directing: William [..]
“Bijou” Composed and arranged by Ralph Burns. Recorded by Woody Herman and His Orchestra on August 20, 1945 in New York. Woody Herman, alto saxophone, directing: Walter “Pete” Candoli, first trumpet; Sonny Berman, Neal [..]
“Swanee River” Composed by Stephen Foster; arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Decca on September 23, 1935 in New York. Jimmie Lunceford, directing: Eddie Tompkins, Paul Webster and Sy [..]
“Parker’s Mood” Composed by Charlie Parker; arranged by Buddy Clark. Recorded by Supersax for Capitol Records in Los Angeles in February 1972. Supersax on this recording consisted of the following musicians: Med Flory and Joe [..]
“Strange Fruit” Composed by “Lewis Allan” (Abel Meeropol); informally arranged by Danny Mendelsohn. Piano prologue suggested by Milt Gabler. Recorded by Billie Holiday and Her Orchestra for Commodore Records on April 20, 1939 in New [..]
With this post, swingandbeyond.com celebrates two milestones: our 100th post, and our 30,000th viewer. I am delighted that so many people are interested in this thing called swing. I have quite a few new ideas [..]
