Where Swing is King!
“Blood Count” Composed and arranged by Billy Strayhorn. Recorded by Duke Ellington and His Orchestra for RCA Victor on August 28, 1967 in New York. Duke Ellington, piano, directing: Herbie Jones, William “Cat” Anderson, Mercer [..]
“Night and Day” Composed by Cole Porter; informal head arrangement by Charlie Barnet and his band. Recorded by Charlie Barnet and His Orchestra for RCA Bluebird on September 17,1940 in New York. Charlie Barnet, tenor [..]
“Blues” from Lenox Avenue Composed and arranged by William Grant Still. Recorded by Artie Shaw and His Orchestra for Victor on December 4, 1940 in Hollywood. Artie Shaw, clarinet, directing: Billy Butterfield, George “Jumbo” Wendt and [..]
“Sometimes I’m Happy” Composed by Vincent Youmans; arranged by Fletcher Henderson. Recorded by Benny Goodman and His Orchestra for Victor in New York on July 1, 1935. Benny Goodman, clarinet, directing: Bunny Berigan, first and [..]
“Rose Room” Composed by Art Hickman; arranged by Artie Shaw. Recorded by Artie Shaw and His Orchestra for Bluebird on January 31, 1939 in New York. Artie Shaw, clarinet, directing: John Best, first trumpet; Chuck [..]
“Cheek to Cheek” Composed by Irving Berlin; arranged by Bill Finegan. Recorded by Tommy Dorsey and His Orchestra for Decca on August 14, 1953 in Hollywood, California. Tommy Dorsey, first trombone, directing: Paul Cohen, first [..]
“The Lonesome Road” Composed by Gene Austin (words) and Nat Shilkret (music); arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Vocalion(*) on January 31, 1939 in New York. Jimmie Lunceford, directing: [..]
“Breakfast Feud” Composed by Benny Goodman; head arrangement worked out by Benny Goodman and the members of his Sextet. Recorded by Benny Goodman and His Sextet(*) for Columbia on January 15, 1941(**) in New [..]
“Yesterdays” Composed by Jerome Kern; arranged by Jerry Gray. Recorded by Artie Shaw and His Orchestra for RCA/Bluebird on September 27, 1938 in New York. Artie Shaw, clarinet, directing: John Best, first trumpet; Chuck Peterson [..]
“Concerto for Cootie” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on March 15,1940 in Chicago. Duke Ellington, piano, directing: Wallace Jones, first trumpet; Rex Stewart, cornet; Cootie [..]
“I Surrender, Dear” Music by Harry Barris; arrangement by Jerry Gray and Artie Shaw. Recorded on August 27, 1939 by Artie Shaw and his Orchestra for RCA/Bluebird in New York. Artie Shaw, clarinet, directing: Bernie [..]
“Well, Git It” Composed and arranged by Sy Oliver. Recorded by Tommy Dorsey and His Orchestra for Victor on March 9, 1942 in Hollywood, California. Tommy Dorsey, trombone, directing: Ziggy Elman, Chuck Peterson, Jimmy Blake, [..]
“Arab Dance” Composed by Pyotr Ilych Tchaikovsky; arranged by Gil Evans. Recorded by Claude Thornhill and His Orchestra for Columbia on July 17, 1946 in New York. Claude Thornhill, piano, directing: Louis Mucci, first trumpet; [..]
“Something to Live For” Composed and arranged by Billy Strayhorn. Recorded by Ella Fitzgerald with Duke Ellington and His Orchestra on December 20, 1965 in Hollywood, California. Ella Fitzgerald, vocal; with Duke Ellington, directing: William [..]
“Bijou” Composed and arranged by Ralph Burns. Recorded by Woody Herman and His Orchestra on August 20, 1945 in New York. Woody Herman, alto saxophone, directing: Walter “Pete” Candoli, first trumpet; Sonny Berman, Neal [..]
“Swanee River” Composed by Stephen Foster; arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Decca on September 23, 1935 in New York. Jimmie Lunceford, directing: Eddie Tompkins, Paul Webster and Sy [..]
“Parker’s Mood” Composed by Charlie Parker; arranged by Buddy Clark. Recorded by Supersax for Capitol Records in Los Angeles in February 1972. Supersax on this recording consisted of the following musicians: Med Flory and Joe [..]
“Strange Fruit” Composed by “Lewis Allan” (Abel Meeropol); informally arranged by Danny Mendelsohn. Piano prologue suggested by Milt Gabler. Recorded by Billie Holiday and Her Orchestra for Commodore Records on April 20, 1939 in New [..]
With this post, swingandbeyond.com celebrates two milestones: our 100th post, and our 30,000th viewer. I am delighted that so many people are interested in this thing called swing. I have quite a few new ideas [..]
Very recently, swingandbeyond.com has hosted its 20,000th viewer! That is very good news for me and for everyone who likes this thing called swing. This blog has been up and running since March of 2016. [..]
The story: It is always challenging to write objectively and accurately about Artie Shaw’s music and personality. On the one hand, much of the music Shaw made during the swing era was wonderful, indeed great. [..]
“Tenderly” Composed by Walter Gross. Recorded on December 28-29, 1953 by Art Tatum for Clef in Los Angeles. Art Tatum, solo piano. The story: How does one begin to discuss the piano artistry of Art Tatum? Adjectives [..]
“Sing, Sing, Sing” Composed by Louis Prima; initial vocal arrangement by Jimmy Mundy. Recorded by Benny Goodman and His Orchestra on July 6, 1937 for Victor in Hollywood, CA. Benny Goodman, clarinet, directing: Harry [..]
“Reflections in D” Composed by Duke Ellington Recorded by Duke Ellington for Capitol on April 13,1953 in Los Angeles. Duke Ellington, piano; Wendell Marshall, bass. The story and the music: “When an art form is created, [..]
“Jubilee” Composed by Hoagy Carmichael (music) and Stanley Adams (words). Arranged by Chappie Willet. Recorded by Louis Armstrong and His Orchestra for Decca on January 12, 1938 in Los Angeles. Louis Armstrong, trumpet and vocal, [..]
“Sepia Panorama” Composed by Duke Ellington; arranged by Duke Ellington and Billy Strayhorn. Recorded by Duke Ellington and His Orchestra on July 24, 1940 in New York. Duke Ellington, piano, directing: Charles M. “Cootie” Williams, [..]
The Story: Lester Willis Young, one of the most influential musicians in the history of jazz, was born on August 27, 1909, in Woodville, Mississippi. After a lengthy apprenticeship spent in numerous black territory bands [..]
“Snowfall” Composed and arranged by Claude Thornhill. Recorded for Columbia by Claude Thornhill and His Orchestra on May 21, 1941 in New York. Claude Thornhill, piano, directing: Conrad Gozzo, first trumpet; Lyle F. “Rusty” Dedrick, [..]
“I’ve Got My Love to Keep Me Warm” Composed by Irving Berlin; arranged by Skip Martin. Recorded by Les Brown and His Orchestra for Columbia on September 16, 1946 in Hollywood. Les Brown, directing: Don Paladino, [..]
