Where Swing is King!
An introduction to the music, musicians and singers of the swing era.
Big bands were the major purveyors of swing music, but by no means the only ones. Many small groups also played great swing. For this introduction to swing music, I am going to concentrate on big bands, with a few exceptions. I will explain what instruments make up a classic big band, and also how the instrumentation and music of big bands evolved from approximately the mid-1920s into the 1950s, and beyond. And of course I will post examples of great music performed by big bands, and small groups.
“Flying Home” Composed by Lionel Hampton and Benny Goodman. Head arrangement organized by Lionel Hampton. Recorded by Lionel Hampton and His Orchestra for Decca on May 26, 1942 in New York. Lionel Hampton, vibraphone, directing: [..]
“Well, Git It” Composed and arranged by Sy Oliver. Recorded by Tommy Dorsey and His Orchestra for Victor on March 9, 1942 in Hollywood, California. Tommy Dorsey, trombone, directing: Ziggy Elman, Chuck Peterson, Jimmy Blake, [..]
“Flat Foot Floogie” Composed by Slim Gaillard, Slam Stewart and Bud Green; probably arranged by Edgar Sampson. Recorded by Benny Goodman and His Orchestra for Victor on May 31, 1938 in New York. Benny Goodman, [..]
“Milenberg Joys” Composed by Jelly Roll Morton(*); arranged by Deane Kincaide. Recorded by Tommy Dorsey and His Orchestra for Victor on January 19, 1939 in New York. Tommy Dorsey, first and solo trombone, directing: Andy [..]
“Yard Dog Mazurka” Composed and arranged by Gerald Wilson. Recorded by Jimmie Lunceford and His Orchestra for Decca on August 26, 1941 in New York. Jimmie Lunceford, directing: Eugene E. “Snooky” Young, first trumpet; Paul [..]
Victor’s 24th Street New York Recording Studio The Story: What do Benny Goodman’s “King Porter Stomp,” Artie Shaw’s “Begin the Beguine,” Bunny Berigan’s “I Can’t Get Started,” Glenn Miller’s “Moonlight Serenade,” Tommy Dorsey’s “I’m [..]
This is the first time I have given over the swingandbeyond.com forum to someone else, at least in part. The reason why I am doing this is that on occasion, I run across the work [..]
“G.T. Stomp” Composed by Walter Hirsch and Gerald Marks; “head” arrangement later formalized by Earl Hines and Budd Johnson. Recorded by Earl Hines and His Orchestra for RCA Bluebird on July 12, 1939 in New [..]
“For Dancers Only” Composed and arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra on June 15, 1937 for Decca in New York. Jimmie Lunceford, directing: Eddie Tompkins, Paul Webster, Sy Oliver, trumpets; [..]
Very recently, swingandbeyond.com has hosted its 20,000th viewer! That is very good news for me and for everyone who likes this thing called swing. This blog has been up and running since March of 2016. [..]
“Tuxedo Junction” Composed by Erskine Hawkins, William Johnson and Julian Dash; head arrangement organized by William Johnson. Recorded by Erskine Hawkins and His Orchestra for RCA-Bluebird on July 18, 1939 in New York. Erskine Hawkins, [..]
“Pompton Turnpike” Composed by Will Osborne and Dick Rogers; arranged by Billy May. Recorded by Charlie Barnet and His Orchestra for Bluebird on July 19, 1940 in New York. Charlie Barnet, soprano saxophone, directing: Sam [..]
“I Got Rhythm” Composed by George Gershwin; arranged by Fletcher Henderson. Recorded by Benny Goodman and His Orchestra live from the NBC “Let’s Dance” radio show of May 4, 1935. Benny Goodman, clarinet, directing: George [..]
“Swingmatism” Composed by Jay McShann; probable “head” arrangement. Recorded by Jay McShann and His Orchestra for Decca on April 30, 1941 in Dallas,Texas.(*) Jay McShann, piano, directing: Harold Bruce,Orville Minor and Bernard Anderson, trumpets; Joe [..]
“Happy as the Day is Long” Composed by Harold Arlen; arranged by Benny Carter. Recorded by Fletcher Henderson and His Orchestra for Decca on September 11, 1934. Fletcher Henderson directing: Russell Smith, first trumpet; Irving [..]
“Smoke Rings” Composed and arranged by H. Eugene Gifford. Recorded by Glen Gray and the Casa Loma Orchestra for Decca on July 23, 1937 in New York. Glen Gray, saxophone and B-flat clarinet, directing: Walter [..]
“Eager Beaver” Composed and arranged by Stan Kenton. Recorded on November 19, 1943 for Capitol in Hollywood, California. Stanley N. Kenton, piano, leading: Marion “Buddy” Childers, Karl George, Ray Borden, John Carroll, Dick Morse, trumpets; [..]
“The Jitterbug Waltz” Composed by Fats Waller. Recorded by Fats Waller and His Rhythm for Victor on March 16, 1942 in New York. Thomas “Fats” Waller, Hammond organ, directing: John “Bugs” Hamilton, Courtney Williams, Joe [..]
“Is That Religion?” Composed by Maceo Pinkard (music) and Mitchell Parish (lyric); arranged by Glenn Miller. Mildred Bailey accompanied by the Dorsey Brothers with Bunny Berigan. Recorded for Brunswick on April 8, 1933 in New [..]
“High Society” Composed by Porter Steele and Walter Melrose; arranged by Joe Lippman. Recorded on September 13, 1938 by Bunny Berigan and His Orchestra for Victor in New York City. Roland B. “Bunny” Berigan, first [..]
“Dream of You” Composer, lyricist and arranger, Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Decca on October 29, 1934. Jimmie Lunceford, directing: Eddie Tompkins, Sy Oliver and Tommy Stevenson, trumpets; Henry Wells [..]
“It Don’t Mean a Thing…If It Ain’t Got That Swing” music, lyric and arrangement by Duke Ellington. Recorded by Duke Ellington and His Orchestra on February 2, 1932 for Brunswick Records in New York. [..]
Louis Armstrong and “West End Blues,” Bix Beiderbecke and “Clementine,” and the “Birth” of Swing An introduction to the music, musicians and singers of the swing era. Big bands were the major purveyors of swing [..]