Where Swing is King!
Writings about swing by Michael P. Zirpolo and other experts that will provide a context for the music you will be hearing, and allow for a deeper understanding of the music and the people who made it.
“Yard Dog Mazurka” Composed and arranged by Gerald Wilson. Recorded by Jimmie Lunceford and His Orchestra for Decca on August 26, 1941 in New York. Jimmie Lunceford, directing: Eugene E. “Snooky” Young, first trumpet; Paul [..]
“4:30 Blues” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra in concert on November 25-26, 1969 in Manchester, England. Duke Ellington, piano, directing: William “Cat” Anderson, Charles M. “Cootie” Williams, [..]
“Morning Glory” Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on March 6, 1940 in Chicago. Duke Ellington, piano, directing: Wallace Jones, first trumpet, Cootie Williams, trumpet, Rex [..]
The story: Try to rewind your mind to the summer of 1945, in the San Fernando Valley district of Los Angeles, California. I quote singer Mel Torme’ to fill in the rest of the details: “One [..]
“New Blues” Composed and arranged by Donall Piestrup. Recorded by the Buddy Rich Big Band on June 15, 1967 for Pacific Jazz/Liberty in Hollywood. Buddy Rich, drums, directing: Ollie Mitchell, Chuck Finley, John Scottile and [..]
Johnny Mercer…Poet of American Popular Song The story: I have found over time that my reading is very often directed by the music I have listened to recently. Last month, I rediscovered (for the umteenth [..]
“Swanee River” Composed by Stephen Foster; arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra for Decca on September 23, 1935 in New York. Jimmie Lunceford, directing: Eddie Tompkins, Paul Webster and Sy [..]
“Invitation” Composed by Bronislaw Kaper; arranged by Walt Stuart. Recorded by Buddy Morrow and His Orchestra in New York in 1963. The Story: Bronislaw Kaper (shown at left in the 1950s) was born on February 5, 1902 [..]
“Harlem Nocturne” Composed and arranged by Earle Hagen. Recorded by Ray Noble and His Orchestra for Columbia on August 8, 1940 in Chicago. (*) Ray Noble, directing: Don Anderson, Bob Goodrich, Bert Harry, trumpets; Earle [..]
“The Chant” Composed and arranged by Artie Shaw. Recorded from a CBS Melody and Madness radio broadcast on March 12, 1939. Artie Shaw, clarinet, directing: John Best, first trumpet; Chuck Peterson and Bernie Privin, trumpets; George [..]
“Undecided” Composed by Charlie Shavers; arranged by Eddie Sauter. Recorded by Benny Goodman and His Orchestra for Victor on December 15, 1938 in New York. Benny Goodman, clarinet, directing: Harry James, first trumpet; Ziggy Elman [..]
“Detour Ahead” Composed by Johnny Frigo, Lou Carter and Herb Ellis. (* see below). Recorded by Ella Fitzgerald with Herb Ellis, guitar, on March 25, 1959 for Verve in Hollywood. The story: By the time [..]
Victor’s 24th Street New York Recording Studio The Story: What do Benny Goodman’s “King Porter Stomp,” Artie Shaw’s “Begin the Beguine,” Bunny Berigan’s “I Can’t Get Started,” Glenn Miller’s “Moonlight Serenade,” Tommy Dorsey’s “I’m [..]
“Rocks in My Bed” Composed by Duke Ellington; arranged by Duke Ellington and Billy Strayhorn. Recorded by Duke Ellington and His Orchestra for Victor on September 29, 1941 in Hollywood, California. Duke Ellington, piano, directing: [..]
The story: In this, the second installment of our salute to arranger Bill Finegan, we present two different Finegan arrangements on two separate melodies, done at two different times for two different bandleaders. Nevertheless, there [..]
This is the first time I have given over the swingandbeyond.com forum to someone else, at least in part. The reason why I am doing this is that on occasion, I run across the work [..]
“Sent for You Yesterday” Composed by Count Basie, Jimmy Rushing and Eddie Durham; arranged by Eddie Durham. Recorded by Count Basie and His Orchestra live on April 2, 1939 from the Columbia Dance Hour – [..]
“Between the Devil and the Deep Blue Sea” Composed by Harold Arlen (music) and Ted Koehler (lyric); arranged by Fletcher Henderson. Recorded on July 1, 1935 by Benny Goodman and His Orchestra for Victor in [..]
“G.T. Stomp” Composed by Walter Hirsch and Gerald Marks; “head” arrangement later formalized by Earl Hines and Budd Johnson. Recorded by Earl Hines and His Orchestra for RCA Bluebird on July 12, 1939 in New [..]
“Blues in the Night” Composed by Harold Arlen (music) and Johnny Mercer (lyric); arranged by Lennie Hayton. Recorded by Artie Shaw and His Orchestra for Victor on September 2, 1941 in New York. Artie Shaw, [..]
“Strange Fruit” Composed by “Lewis Allan” (Abel Meeropol); informally arranged by Danny Mendelsohn. Piano prologue suggested by Milt Gabler. Recorded by Billie Holiday and Her Orchestra for Commodore Records on April 20, 1939 in New [..]
“Stairway to the Stars” Composed by Matty Malneck and Frank Signorelli (music), and Mitchell Parish (lyric). Arranged by Jerry Gray. Recorded by the New York All-Star Big Band on August 8-9, 2016 in New York. [..]
“For Dancers Only” Composed and arranged by Sy Oliver. Recorded by Jimmie Lunceford and His Orchestra on June 15, 1937 for Decca in New York. Jimmie Lunceford, directing: Eddie Tompkins, Paul Webster, Sy Oliver, trumpets; [..]
“Star Dust” Composed by Hoagy Carmichael; arranged by Bill Finegan and Glenn Miller. Recorded by Glenn Miller and His Orchestra on January 29, 1940 for Bluebird in New York. Glenn Miller, trombone, directing: R.D. McMickle, [..]
“Lush Life” Composed by Billy Strayhorn; arranged by Harold Mooney. Recorded on April 1, 1956 by Sarah Vaughan for Mercury Records in New York. Billy Strayhorn met Duke Ellington backstage at the Stanley Theater in [..]
“Forty Days” Composed by Dave Brubeck. Head arrangement by Dave Brubeck Quartet. Recorded by the Dave Brubeck Quartet for Columbia Records in New York between September 20 and October 13, 1965. Dave Brubeck, piano; Paul [..]
“These Foolish Things” Composed by Eric Maschwitz (Holt Marvel), lyric; Jack Strachey and Harry Link, music. Arranged by Ray Conniff. Recorded by Artie Shaw and His Orchestra on June 8, 1945 for RCA Victor in [..]
“Rattle and Roll” Composed and arranged by Wilbur “Buck” Clayton. Recorded by Benny Goodman and His Orchestra for Columbia on December 19, 1945 in New York. Benny Goodman, clarinet, directing: Conrad Gozzo, first trumpet; John [..]
“Manha de Carnaval” Music composed by Luiz Bonfa’. Recorded by the Vince Guaraldi Trio in February, 1962 for Fantasy Records in San Francisco. Vince Guaraldi, piano; Monty Budwig, bass; Colin Bailey, drums. The story: As [..]
The story: In the mid and late 1970s, I was fortunate enough to make several trips to New York City with the specific purpose of trying to hear as much music and see as many [..]